Senin, 12 April 2010
Degree of Comparison
Positive
Using as….as
- To compare two things that are equal.
- as…as is placed after the to be (am/are/is/was/were)
Comparative
Using –er than (for one – syllable adjectives) or more ….. than (for adjectives of two syllables)
- To compare two things that are not equal.
- er than or more …. than is placed after the to be (am/are/is/was/were)
Superlative
Using the… -est (for one – syllable adjectives) or the most …. (for adjectives of two syllables)
- To compare one thing with two or more other things
- The …. Est or the most …… is placed after the to be (am/are/is/was/were)
Articles :
Don't Let a Home Business Cost You Your Family
by: Craig Binkley
Does the title of this article sound funny to you? To some, it may not only seem funny but downright silly. To others, it may be offensive also. On the surface, it does sound like a funny topic for an article. When we look deeper, it can be a very serious problem that needs to be addressed.
Now I’m sure that most of us have either heard, or even personally known a family that has been damaged because the husband/father pours all of his time and efforts into a job or career. His wife never sees him. His children don’t know him. He may try to make up for it with all kinds of “worldly” gifts, when all the while what is really needed is him to be there.
I know what you are thinking. This couldn’t, or shouldn’t, happen with a home based business. I am here to tell you that it not only can, but also it does. It doesn’t matter if the husband/father is devoting all his time to his career away from the home or tucked away in his cozy office at home. The outcome is going to be the same.
The question that needs to asked is “How can a father/husband run a home based business, at times while still working full-time outside the home, without causing irreparable damage to his marriage and family?” Hopefully, the following things will help him keep his priorities in line and not be “sucked in” to the “succeed at all costs” mentality that is so prevalent in this day and age.
1) The most important recommendation I can offer, the reason it is at the top of my list, is to trust in God to provide. If we learn to trust HIM rather than feeling that is all up to us, the better off we will be (I used to struggle with this BIG time).
2) If you are building a home business while working outside the home, you MUST understand that your family needs you. I’m not talking about being able to purchase the newest home video center to keep everyone busy either. Set aside some time to spend with the family. Make your wife feel special (surprise her with a rose) and remember that you kids are only kids FOR A SHORT WHILE.
3) Set your goals according to the items listed in #2 above. Don’t let your goals run your life. Goals are important, but they are worthless if you lose your family in the pursuit of them.
4) Try to get your wife and/or children involved in your business. The home should be a place of commerce. Children are a blessing, not a curse. Let them bless your business. Our oldest daughter has designed her own line of jewelry that we sell on our website. It started as a hobby, and then naturally progressed into a small business. Let your children do things for you, even if it is just filing papers or searching a topic on the Internet that you may need. Make them feel like they are a part of the business and it will go a long way to keeping your family together.
There are many other things that can be done to keep your home business from adversely affecting your marriage and family life. Some of them are OBVIOUS while others are not. A good rule of thumb is to remember that your family should be the most important thing in your life next to your relationship with God. If you keep this in mind, and work your business with this as your primary “goal”, not only will you not cause damage, but I truly believe you will be blessed in whatever endeavor you are undertaking.
Conditional Sentences
b. Conditional Sentences
Verb form in “IF CLAUSE” Verb form in “RESULT CLAUSE” Meaning
I. Present Tense Future Tense Real in
Present/ future
II. Past Tense Past future Unreal in present / future
III. Past Perfect Past Future Perfect Unreal in Past
NOTE :
In writing conditional sentence, we may put the “IF Clause” before the “Result Clause” and vice versa.
However we must put comma (,) at the end of the “Result Clause” if the “IF Clause” is put before the “Result Clause”.
Also, the meaning of the fact must be on the countrary with the conditional sentence. So, if the conditional sentence is in positive form, the fact will be in negative one and vice versa.
Article:
2010 Nissan Altima Sedan Test Drive Review
by: Mac Demere
"My, how you have grown!" When you test drive the 2010 Nissan Altima, avoid sounding like a clueless uncle greeting an adult niece at Thanksgiving dinner. If, like much of America, it's been a while since you've been in the market for a sedan—rather than an SUV—it'll be tempting to repeat that familiar Turkey Day refrain. (Thanksgiving is a wonderful holiday that reminds us why we no longer live with some people.)
The four-door Altima Sedan comes as the 2.5 CVT, 2.5 S and 3.5 SR CVT. Also, under the Altima umbrella is the Altima Coupe and Altima Hybrid sedan. (We'll leave the coupe and hybrid sedan for future reviews.) Here's how to decode Nissan's model nomenclature. The "2.5" indicates the car is fitted with a very strong 175-horsepower, 2.5-liter, four-cylinder. The "3.5" means it enjoys the awesome 270-horsepower 3.5-liter V6 engine. All Altimas are fitted with a "CVT," which stands for "continuously variable transmission." More on CVTs later. Prices start around $20,000 and go to almost $30,000 for the gas-engine cars.
If you're looking for a very roomy, affordable sedan, consider the 2.5 CVT. If you're willing to pay a bit more for Nissan's sporty feel, the 2.5 S CVT is an excellent choice. Those who like to go BMW hunting in the stoplight Grand Prix or on a curvy back road will be very entertained by the 270-horsepower 3.5 SR CVT.
Changes for 2010 feature a more assertive grille, hood and front bumper cover. Inside, the Altima gets new fabrics. Electronic stability control, which Nissan calls VDC, now comes on all Altimas, but that's not too newsy as it will soon be government-required on all passenger vehicles. The 3.5 SR CVT (formerly called the SE) now comes with high-intensity discharge headlights.
Rather than physically changing gears like a conventional automatic, a CVT uses a belt and pulley system. It's designed to keep the engine at its most-efficient speed for the task required, regardless of whether that's optimum fuel mileage during highway cruising or maximum acceleration for merging into traffic. Few drivers will notice a difference between a CVT and a regular automatic, except for improved fuel economy and strong acceleration. Gearheads: The Altima's CVT also employs a small gearset to increase its effective ratio range. Don't take this too hard, gearheads, but the CVT does a far better job of maximizing the engine's performance than you could with a manual transmission.
The four-cylinder delivers 23 miles per gallon in the government's city driving test and a very impressive 32 mpg on the highway. The V6 is rated at 20 mpg in the city and 27 on the highway. Altimas are made in Tennessee and Mississippi.
The 2010 Altima received "Good" crash safety ratings by the Insurance Institute for Highway Safety (IIHS) in both front offset and side impact tests. In the government's crash test studies, the Altima Sedan scored high marks—five stars—in both driver and passenger frontal impacts, as well as side driver impacts, and four out of five stars in the rollover category and side rear passenger impact test.
If you're thinking about ditching the SUV for a spacious and sporty sedan, think about the 2010 Altima.
adjective clause
Object of prepositions:
by: Margaret Bell
The best skin firming neck and face cream consists of ingredients that really work.
A neck and face cream to be safe and effective will have plant and other natural compounds. Much of the heavily advertised skin products have ingredients that can damage your face, neck and body skin. This article will alert you to some of what is good and what is bad in skin care products.
Harmful Ingredients
One of the biggest offenders found in skin firming cream is petrolatum. Petrolatum, also known as, petroleum jelly is commonly used in just about everything. It is really a by-product from crude oil. When used on the skin it has a 'clogging' nature to the pores. Just because it feels good doesn't mean it is.
Petrolatum is usually concealed as mineral oil which sounds very healthful. Liquid petrolatum is mineral oil. It and other petroleum products have been suspected as having cancer connections. Don't use it if all possible. There are safe alternatives.
Ingredients That Are Safe
-Grape Seed Oil
-Avocado Oil
An excellent ingredient for skin firming is grape seed oil. It is an antioxidant, which means it combats those free radicals that do cell damage. Free radicals can cause wrinkles. Another very good ingredient is avocado oil. Avocado oil is best used at bedtime since it is a little heavy for using during the day.
The goal in skin care is: If you look younger - you will feel younger. Firming skin or tightening skin is necessary to smoothing out skin wrinkles.
A good way, if not the best way, is to grow new skin. Protein helps do this. But as we age, skin doesn't restore as it did when younger. The body skin needs help to renew skin growth. Nutrition is vital. Applying a skin firming cream with healthful nutrients is essential. Also taking a good fish oil supplement will help inside and outside of the body.
Some Skin Firming Creams Are Useless
That sounds tough but it is true. Some are highly promoted on TV infomercials that are just plain junk. Expensive department stores hawk skin care products that smell great but have harmful fragrances. They are full of mostly synthetic ingredients that are cheap to make and do little for skin firming.
Imitation ingredients or synthetic compounds can be very dangerous. For example, paraben is a name you will find in many skin products. Paraben is a preservative to extend shelf life of the product so it doesn't spoil quickly. Parabens are under suspicion because they have been found in breast cancer patients. It is best not to use any kind of paraben; they are not necessary.
Make Better Choices
Vitamin E is a preservative that is natural and safe. You will find it in quality skin firming face and neck creams. It should be natural vitamin E not synthetic. Ask the manufacturer which one they use. Combine vitamin E with grape seed extract and you have a very powerfully effective facial and neck cream.
Another Skin Care Danger
Fragrances are used quite commonly used in many products. A fragrance is never defined by skin care producers; they are not required by law to do so, so they don't. But as it is many people are very sensitive to some fragrances. The ingredients in the fragrance are usually some concoction of chemicals to make the skin product smell good. But in fact the "smell" good can do you harm.
Fragrances often cause some people to have sneezing bouts, itchy throats and watery eyes. Around the face, neck and eyes is no place for something that will cause irritation. Avoid fragrances. Who knows what they really are doing to us. Again, read the label. Protect your health. Avoid parabens, fragrances and over the counter type products.
The best skin firming face and neck cream should have not one drop of parabens nor fragrances. It should contain real natural ingredients not synthetic ones. I hope this brief article has given you some food for thought on selecting safe skin care products especially neck and face firming creams. For more information see my website listed below for the best skin firming face cream.
Minggu, 11 April 2010
Passive Clause
Kalimat pasif adalah suatu kalimat dimana subject dikenai tindakan/pekerjaan/perbuatan, berbeda dengan kalimat aktif dimana subject-lah yang melakukan perbutan/pekerjaan/tindakan.
Pembentukan
Pola Umum : to be + Verb 3 (past participle)
• Subject pada kalimat pasif berasal dari object pada kalimat aktif.
• ‘be….ing’ dalam kalimat aktif menjadi ‘being’ dalam bentuk pasifnya.
• Tense pada kalimat pasif mengikuti bentuk kalimat aktifnya.
• Verb 3 pada kalimat pasif dibentuk oleh verb pada kalimat aktifnya.
• Hanya kalimat transitif – kalimat yang mengandung object yang bisa dirubah kedalam bentuk pasif atau kalimat pasif hanya berlaku bagi kata kerja transitif.
• Kalimat pasif digunakan tatkala ingin menonjolkan hasil tindakan daripada pelaku tindakan tersebut.
Tenses Passive
Simple Present S + is/am/are + Verb III
Simple past S + was/were + Verb III
Present Continous S + is/am/are +being + Verb III
Past Continous S + was/were + being + Verb III
Present Perfect S + have/has + been + Verb III
Past Perfect S + had + been + Verb III
Present Modal S + can/may/have to+ be + Verb III
Past Modal S + could/might +had to + Verb III
Present Future S + will / shall + be + Verb III
Past Future S +would/should + be + Verb III
article:
Nusa Lembongan - The Island of Seaweed Farmers
Nusa Lembongan (“Nusa” means Island), at 4.6 km long and up to 1.5km wide, is one of a cluster of three small islands located to the southeast of Bali – the other two are Nusa Penida (also known as Nusa Gede) and Nusa Ceningan.
The people of Nusa Lembongan live in the villages of Jungut Batu and Lembongan and number around 5,000.
The only way of reaching the island is by sea: from Sanur beach or Denpasar’s Tanjung Benoa harbour, or from Tribhuana harbour in the village of Kusamba, Klungkung.
There is also a variety of ways of crossing to choose from, ranging from the kind of wooden boats that are used by local people to the speed boats commonly used by tourists.
Strategically, Sanur beach is the most convienant to gain access to the island, due to its proximity to several tourist locations in and around Denpasar and Kuta.
Means of transport for the crossing and fares per person vary quite a bit, from IDR30,000 one way on the public boat to about IDR50,000 by speed boat. The public boat makes the trip every morning at 8am while the speed boats make three trips during the day.
The boats used by the local people are made from wood or fibreglass. They are quite big with bamboo outriggers on both sides for stabilization and to reduce rocking when ploughing through the waves.
The boats follow Bali’s eastern shoreline and cross the Badung strait to head for Nusa Lembongan. It is a pleasant trip across fairly calm waters and the one and a half hours it takes pass quickly. From the boat I could see the white sands of the beach spread out in front of Jungut Batu village. The seaweed cultivated by the local people here was also easily visible because the seawater is so clear.
Nusa Lembongan is known as the biggest seaweed producing area in Bali. Along with West Nusa Tenggara (NTB) East Nusa Tenggara (NTT) and Central and South Sulawesi, Bali is one of the most important seaweed producing areas in Indonesia.
The landscape of Nusa Lembongan, which is largely made up of gently inclined white sand, and the transparent seawater with suitably strong currents, make it ideal for the cultivation of seaweed.
Since the 1990s the number of tourists visiting this island has increased rapidly and many facilities and infrastructure - including a varied choice of accommodation types - have been built. These range from bungalows and villas to guesthouses and hotels. On my way from the dock to my accommodation, I saw the houses of the local community alongside hotels and other tourist accommodation. Almost every bit of open space is used for drying seaweed. The farmers sometimes seem oblivious to the presence of tourists but they are very friendly if you get chatting to them.
For getting around the island I hired a motorbike. It cost IDR75,000 for 8 hours, including petrol. You can drive it yourself or use a guide for a small additional fee. For large groups or people on a package tour, there are pick up trucks modified for sightseeing expeditions.
Starting from Jungut Batu I headed south towards the village of Lembongan to take a look at the seaweed cultivation areas located on the southern side of the island along the strait that separates Nusa Lembongan from Nusa Ceningan. All along the beach the seaweed farmers come and go, unloading seedlings or loading their latest harvest of seaweed into their boats. There are a few simple buildings which are used for resting or for preparing the seedlings. The remaining open land is used for drying the seaweed. There are also some souvenir shops and food stalls.
Seaweed cultivation provides a livelihood for most of Nusa Lembongan’s residents while others earn their living from the tourist trade or work for the local government. Seaweed accounts for a significant boost to the prosperity of the local communities. The most commonly grown types of seaweed are Cottonii and Spinosum. After it is harvested, the local people usually dry it and then sell it to wholesalers who pay between IDR2,000 and IDR5,000 per kilogram.
From the seaweed cultivating areas of Nusa Lembongan village, I headed for the bridge that connects Nusa Lembongan to Nusa Ceningan. Being a mere metre and a half wide, this bridge can only be used by pedestrians and motorbikes. The view from this bridge is very interesting with the white sand of the seabed easily visible through the clear greenish water.
A trip from here to the island of Nusa Penida would take about 30 minutes by public boat.
After taking in the view from the bridge, I made my way north across Nusa Lembongan island and noticed how the land became drier with mangroves everywhere. The cultivation of corn, cassava and coconuts here is suited to this arid soil.
My journey finally ended with my return to the village of Jungut Batu. The tour of the island, not including stops, takes about 30 minutes. With it being so small, one could go right around it several times in a single day.
Later I headed south again to check out the panorama of the island from the top of the hill near Jungut Batu village. There I waited for the gorgeous scene when the sun is sinking below the rocks to the east of the island, a place travellers like to call Dream Beach.
Kamis, 25 Maret 2010
kalimat dengan menggunakan tenses
1. Present Tense
- My mother cooks fried rice
2. Present Continous Tense
- We are studying Bahasa Inggris Bisnis 2
3. Present Perfect Tense
- We have killed the snake in the forest
4. Present Perfect Tense
- She has eaten
5. Past Tense
- We moved the cupboard beside room
6. Past Continous Tense
- They were reading novels when I came
7. Past Perfect Tense
- I had left before my parents came
8. Past Perfect continous Tense
- He had been a busing me before I want.
kalimat passive
Mustaqim Adamrah
THE JAKARTA POST/JAKARTA
A big increase in exports is expected for Indonesian footwear firms this years, with a projected surge in orders from EU and non traditional markets, a shoe producers’ association spokesman has said.
Indonesian footwear Industry Association (Aprisindo) secretary – general Binsar Marpaung said in Jakarta Tuesday that with the expected increase in orders, the country’s footwear export might increase by 17.5 percent to about US$ 2 billion this year, from about $ 1.7 billion in 2009.
“We are hoping that our exports will reach at least $ 2 billion this year as orders from Europe are starting to increase. We also expect additional orders from non – traditional markets,” Binar said.
He was speaking on the sidelines of a ceremony on the launching of the machinery revitalization program for the textile, footwear and leather industries, as well as sugar mills, at the Industry Ministry.
He said that orders from the EU were estimated to increase this year by 10 percent compared to last year. Indonesia’s footwear exports to the EU account for around 10 percent of total Indonesian exports annually, according to Binar.
The country’s footwear exports fell slightly to $ 1.7 billion last year reflecting only a minor negative impact from the global financial crisis and economic downturn which hit many parts of the world much harder during the year, Binsar said.
Footwear exports rose to $ 1.93 billion in 2008 from $ 1.66 billion in 2007, according to data published recently by the textile research center Indotextiles.
Indonesia is the third biggest sport shoe producing country after China and Vietnam. For leather shoes, Indonesian is believed to be the fourth largest producer after China, Vietnam, and India.
Indonesia produces about 1.2 billion pairs of shoes annually with an annually growth in the sector of 10 percent. Most of the local shoe production is made up of sport shoes.
Binsar said, order from the EU were increasing although the region had yet fully recover from the crisis. “In Europe each person ussualy has an average of six pairs of shoes. [Because of the crisis] the number will probably have declined to five ” he said.
“Moreover, this crisis in Europe is not as bad as that in US,” he added.
Binsar said Indonesian footwear producers were also aiming at “non traditional markets”, such as Northern and Eastern Europe including Sweden and Russia as well as Africa and the Middle East.
“Northern European countries have specific needs. They want water – proff leather shoes to use during the winter,” he said.
“We will need a special machine to produce these kind of shoes. But we can use the facilities provided in the machinery revitalization program [to buy such machines],” he added, referring to the government supporterd program.
Binsar said Indonesia had actually penetrated these “non – traditional market” long ago. “But in very limited way”.
He said the main obstacle in penetrating “non – traditional markets” was the incompatibility of banking systems in those countries in relation to the one in Indonesia.
We are working out each other’s systems. There are lots of [export financing] schemes,” he said.
According to the data issued by the Central Statistict Agency (BPS), Indonesia’a total exports dropped 14.98 percent last year to $ 116.49 billion in 2009 from $ 137.02 billion in the previous year.
During 2009, non – oil and gas exports totaled only $ 97.47 billion, declining 9.66 percent from the previous year.
Last year, Indonesia mostly exported industrial products, which accounted for 63.03 percent of all products shipped abroad. The rest were mining products (16.89 percent of total exports), oil and gas products (16.33 percent) and agricultural products (3.75 percent).
kalimat yang mengandung if clause
Getting to Seberang Kota Jambi from the city is pretty easy. From Angso Duo Market, which is not far from the Governor’s residence, Seberang Kota Jambi can be reached by crossing the Batang Hari River on a ketek (a type of boat used by local people) which takes 10 minutes. Alternatively you can follow the river by motor vehicle for 45 minutes and then cross it using the 1,000 metre long Aurduri No.1 bridge. Then you turn right and head for the Mudung Laut district, directly opposite the city of Jambi.
One of the traditional houses, characteristically raised on stilts had an interesting name plate that caught our eye. Pengrajin Batik Jambi-Dua Putri (makers of Jambi Batik-Two Daughters) is located in the Jelmu neighbourhood of Mudung Laut, next to the main road, Jl. K.H. A. Madjid Rofar. Nafisah, a young 27 year old mother, gave us a warm welcome.
Together with her sister Saodah and her mother Nursiyah, she was busy making batik on the floor of their house. The room seemed to be filled with pieces of batik, still at the colouring stage, hanging up to dry.
According to Nafisah, every Melayu woman must have a skill such as embroidery, weaving or making batik. The skill she has for making batik was not handed down to her by her ancestors but instead started out as a hobby. She has been crafting batik for only 10 years after receiving help to set herself up from the Department of Industry.
Most of the batik she produces is sold to the people who come to visit her house or is ordered by businesses in Jambi or even further afield.
Right now there are around 50 batik makers working under her guidance. Unlike Javanese batik, which uses long pieces of cloth, Jambi batik usually comes in the form of a loose robe called a sarong or as a shawl or scarf. The distinctive Jambi colour scheme is red, blue and yellow. The time it takes to work on it, though, is not different: a sarong or shawl takes between 15 days to a month to finish, depending on the complexity of the motif.
I was invited to take a walk and have a look at the traditional raised houses in the vicinity of Nafisah’s place. There are around 100 households in the Jelmu neighbourhood in Mudung Laut. From time to time the Batang Hari River overflows and this kampung is inundated with floodwater.
These raised houses in Jelmu are over a hundred years old and have been lived in for more than four generations. The architecture exhibits a fusion of Melayu, Dutch and Chinese styles which can be seen in the structure of the roof, the columns and the doors and windows. Unfortunately, several of these houses are now tilting and their doors have been damaged due to the earthquake that struck Padang not so long ago. I could see women in some of the houses drying out fish crackers they had made or working on batik.
Jambi is also renowned for being a safe and friendly city. Some women invited us into their homes. Indeed, one even suggested we visit when there was a flood. Being inside of one of these house-on-stilts is like being on the river. When the floods come, the local people usually use small wodden boats to go about their daily business and it become an interesting part of the scenery.
Nafisah is one of the young leaders in the place where she lives. In 2005-2006, she was Runner-Up in the National Youth Pioneer competition. Apart from crafting her batik, she actively seeks out innovations to improve the quality of her batik as well such as experimenting with natural colourings including using the bark from a jengkol fruit - a discovery that earned her the national award.
“I want the youth in this area to stand on their own two feet and not become slaves to people in the city. So they need to make money for themselves,” she said.
Although the batik has become increasingly popular, there is not so much interest in becoming batik makers among Jambi’s youth. Nafisah has on several occasions tried to recruit young local people to take up the craft like she has but, typically, only one out of every ten youths she works with sticks with it. For this reason, every time there is an batik related event in the city, including training, Nafisah always brings young people along with her. Her hope is that when they see the development of batik, and the economic rewards that can be associated with it, they will become interested and want to promote Jambi batik.
Nafisah is not afraid of competition.
“Every person is different. The handiwork of two people is never the same. And the same goes for their livelihoods. If we are scared of people competing with us then we cannot progress,” she said.
Much like Nafisah, Edi Sunarto, from Olak Kemang, Danau Teluk Jambi, is a batik maker who uses natural colouring such as indigo for his craft including those from types of wood such as marelang, lombato, tinggi, sepang and bulian.
Aside from the traditional motifs of Jambi, such as kapal sanggat, duren pecah, Batang Hari, Angso Duo, the motifs created by Edi and his 30 craftsmen and women always include new ones. He is always trying to make original ones that can become trendy and popular in the marketplace, like ones depicting the marshes and forests that are so typical of the land around Jambi. In order to give batik lovers other alternatives, he also blends Jambi and Javanese motifs.
The History of Batik in Jambi
Historically, there was a limited amount of batik production and trade during the era of the Sultans. Jambi batik was a kind of handicraft that could not be owned by just anyone. It was exclusively for members of the community with social standing such as aristocrats and royalty. With the end of the Jambi Sultanate came the dramatic decline in batik production.
Whatever batik making that might have been going on was only being carried out by a few elderly cratsmen and women.
During the era of Dutch colonial rule, the buzz surrounding Jambi’s batik was revived thanks to various articles written by Dutch commentators, one of whom was B.M. Goslings. In his article he talked about getting permission from Prof. Vam Eerde to approach Jambi resident H.E.K. Ezermann and asking him to research the local batik craft. In October 1928, Ezermann reported back that in Dusun Tengah at that time there was batik production and its results were very beautiful. (B.M. Goslings, 1928, p.141.
Accordingly, it can once again be said that, since the era of sultans in Jambi, through the colonial period, the Japanese occupation, and even the war of independence, the craft of batik was never one of mass production.
Since the establishment of the New Order, the founding and development of batik production in Jambi was intensive and on a large scale. In the 1980s Jambi’s traditional colours were in the ascendency whereas in the 1990s the brighter colour schemes of Pekalongan and Cirebonan were used more. Nowadays, they have reverted back to Jambi’s original batik colours.
Handmade batik from Jambi has unique and exotic characteristics, from the point of view of colour and also motifs. Most colourings are made with natural ingredients which are mixed with the various kinds of wood mentioned above and substances from other plants, like palm leaves, all of which are available locally. In addition, there are mixtures using ingredients not available in Jambi, such as seeds from the tinggi tree and indigo leaves, which are usually obtained from Yogyakarta.
Aside from the colouring agents used, Jambi’s handmade batik has an abundance of motifs with bright colours that symbolize the bright and cheerful community of Jambi. There are 31 recorded handmade batik motifs to be found such as Candi Muaro Jambi, Kaca Piring, Puncung Rebung, Angso Duo Bersayap Mahkota, Bulan Sabit, Pauh (mangga), Antlas (tanaman), Awan Berarak, and Riang-riang.
To prevent tengkuluk from being wiped out by modern fashions, the Museum of Jambi Province, in cooperation with Jambi’s Dewan Kerajinan Nasional Daerah (the local office of the National Crafts Agency or ‘Dekranasda’), works hard to promote their use at various opportunities. The Provincial Government of Jambi is also currently encouraging women to wear tengkuluk on Wednesdays.
The traditional tengkuluk headdress is made by folding a piece of batik cloth or sarong - truly unique and exotic.
Getting to Jambi:
Garuda Indonesia has flights making the Jakarta-Jambi-Jakarta trip 14 times a week.
Seberang Kota Jambi can be reached by ketek (small boat) which takes 10 minutes from Angso Duo Market or by motor vehicle, which takes 45 minutes, and involves following the Batang Hari River to Aurduri No.1 bridge, crossing its 1 km span, and then turning right and heading for Mudung Laut.
Senin, 22 Februari 2010
Curriculum Vitae
Date of Birth : August 16nd, 1988
Place of Birth : Jakarta
Age : 21 years old
Nationality : Indonesian
Address : jl. Kapuk No.33 Rt 01 Rw 002 Margonda Pondok Cina Depok 16424
Phone : 08715422022
Marital Status : Single
Religion : Moeslem
Education FORMAL 2006
-Until now : University of Gunadarma Mangement of Economic
2004 - 2006 : SMA DIPONOGORO 01 Rawamangun
2002 - 2004 : SLTPN 119 Harapan Jaya Jakrta
1996 - 2002 : SDN 05 Pagi Jakarta
Non Formal
* Market Capital course at University of Gunadarma
Jumat, 12 Februari 2010
jurnal asuransi
alamat : http://www.si.its.ac.id/Penelitian/JURNAL/Angga.pdf


